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Intimate eating : racialized spaces and radical futures / Anita Mannur.

Autor: Mannur, Anita.
Wydawca: Durham London Duke University Press 2022Opis: XII, 179 stron, ilustracje, 23 cm.ISBN: 9781478017820; 9781478015208.Tematy: Jedzenie - aspekt antropologiczny | Zwyczaje jedzeniowe - aspekt społeczny | Azja - zwyczaje jedzeniowe | Gotowanie - Azja - aspekt społecznyAdditional physical formats: Online version:: Intimate eatingKlasyfikacja Dewey'a: 394.12 Inna klasyfikacja: CKB030000 | SOC043000 Opis skrócony: "In Intimate Eating Anita Mannur examines how notions of the culinary can create new forms of kinship, intimacy, and social and political belonging. Drawing on critical ethnic studies and queer studies, Mannur traces the ways in which people of color, queer people, and other marginalized subjects create and sustain this belonging through the formation of "intimate eating publics." These spaces-whether taking place in online communities or eating alone in a restaurant-blur the line between public and private. In analyses of Julie Powell's Julie and Julia, Nani Power's Ginger and Ganesh, Ritesh Batra's film The Lunchbox, Michael Rakowitz's performance art installation "Enemy Kitchen," and the Great British Bakeoff, Mannur focuses on how racialized South Asian and Arab brown bodies become visible in various intimate eating publics. In this way, the culinary becomes central to discourses of race and other social categories of difference. By illuminating how cooking, eating, and distributing food shapes and sustains social worlds, Mannur reconfigures how we think about networks of intimacy beyond the family, heteronormativity, and nation"--
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Książki Książki Instytut Etnologii i Antropologii Kulturowej UW

Instytut Etnologii i Antropologii Kulturowej UW

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"In Intimate Eating Anita Mannur examines how notions of the culinary can create new forms of kinship, intimacy, and social and political belonging. Drawing on critical ethnic studies and queer studies, Mannur traces the ways in which people of color, queer people, and other marginalized subjects create and sustain this belonging through the formation of "intimate eating publics." These spaces-whether taking place in online communities or eating alone in a restaurant-blur the line between public and private. In analyses of Julie Powell's Julie and Julia, Nani Power's Ginger and Ganesh, Ritesh Batra's film The Lunchbox, Michael Rakowitz's performance art installation "Enemy Kitchen," and the Great British Bakeoff, Mannur focuses on how racialized South Asian and Arab brown bodies become visible in various intimate eating publics. In this way, the culinary becomes central to discourses of race and other social categories of difference. By illuminating how cooking, eating, and distributing food shapes and sustains social worlds, Mannur reconfigures how we think about networks of intimacy beyond the family, heteronormativity, and nation"--

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